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ÛÍÍÍÍÍÍúúúúúú ÚÄ¿ ÚÄÄ Ú ÚÄÄ Ú¿ ÚÄÄ¿ÚÄÄÄ Ú¿ Ú ÚÄÄ¿ÄÂÄÚÄÄÚÄÄ¿ úúúúúúÍÍÍÍÍͱÛ
ÛÍÍÍÍÍÍúúúúúú ³ÄÀ¿ÃÄ ³ ÃÄ ÚÃÀ¿ÀÄÄ¿ÃÄÄ ³À¿³ ³ ³ ³ ÃÄ ÀÄÄ¿ úúúúúúÍÍÍÍÍͱÛ
ÛÍÍÍÍÍÍúúúúúú À ÀÀÄÄ ÀÄÄ ÀÄÄÄÙ ÀÄÄÄÙÀÄÄÄ Ä ÀÙ ÀÄÄÙ À ÀÄÄÄÄÄÙ úúúúúúÍÍÍÍÍͱÛ
ÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛ
Û Artist : The Doors Û
Û Album : The Best Of The Doors Û
Û Bitrate : VBR 192 Average KB/s (High Quality 44.1 kHz Joint Stereo) Û
Û URL : http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:fifwxqt5ldje Û
ÛÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÛ
Û Source : CD (LP) NFO [û] Û
Û Label : Elektra SFV [û] Û
Û Year : 1985 M3U [û] Û
Û Genre : Classic Rock JPG [û] Û
Û Ripper : NHH Û
Û Rip date : 2008-07-23 Û
Û Store date : 1985-00-00 Û
Û Rip tool : EAC 0.99 prebeta 4 (Secure Mode) Û
Û Encoder : Lame 3.97 -V2 --vbr-new Û
Û Size : 122.46 megs Û
Û [CENSORED]# : 60345-2 Û
Û Supplier : NHH Û
ÛÀúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúÙÛ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúú ÄÂÄ ÚÄ¿ Ú¿ ÚÄÄ ¿Ú ÚÄÄ¿ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúú ³ ³ÄÀ¿ÚÃÀ¿³ ÃÄ¿ ÀÄÄ¿ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúú À À ÀÙ ÀÀÄÄÄÄ ÀÄÄÄÄÙ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
ÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛ
Û Total Tracks : 19 Û
Û Disc 1/2 Û
Û -------- Û
Û 1. Break On Through (To the Other Side) 2:27 Û
Û 2. Light My Fire 7:06 Û
Û 3. The Crystal Ship 2:33 Û
Û 4. People Are Strange 2:11 Û
Û 5. Strange Days 3:07 Û
Û 6. Love Me Two Times 3:16 Û
Û 7. Alabama Song (Whiskey Bar) 3:20 Û
Û 8. Five To One 4:26 Û
Û 9. Waiting For The Sun 3:59 Û
Û 10. Spanish Caravan 2:58 Û
Û 11. When The Music's Over 10:56 Û
Û ----------------------------------------------------------------------- Û
Û 46:19 Û
Û Disc 2/2 Û
Û -------- Û
Û 1. Hello, I Love You 2:14 Û
Û 2. Roadhouse Blues 4:03 Û
Û 3. L.A. Woman 7:49 Û
Û 4. Riders On The Storm 7:11 Û
Û 5. Touch Me 3:12 Û
Û 6. Love Her Madly 3:17 Û
Û 7. The Unknown Soldier 3:23 Û
Û 8. The End 11:42 Û
Û ----------------------------------------------------------------------- Û
Û 42:51 Û
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ÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛ
Û Review by Bruce Eder Û
Û Û
Û Ideally, one would avoid compilations of the Doors' work, except perhaps Û
Û for the hit singles and moments when one wanted very light listening. Û
Û This was a band that took itself very seriously, almost to the point of Û
Û self-parody at times, and their music ought to be discovered in the Û
Û setting and context in which it was intended, but assuming that one Û
Û needs a Doors anthology, this 18-track collection (19 on CD) is the Û
Û place to start. It started life during the quadrophonic era as a single Û
Û LP of the same title, with programming intended to combine the concepts Û
Û behind two earlier compilations, 13 and Weird Scenes Inside the Û
Û Goldmine, under one cover. In 1985, the two-LP version, the fourth Û
Û compilation of the group's work, and the most comprehensive, was Û
Û released, providing a good overview to the most obvious different sides Û
Û of the group's output, and in 1991 this was remastered for CD with Û
Û improved sound and an extra track. Good as it is, the compilation Û
Û misleads somewhat by removing the material from its original context and Û
Û also shuffling the order, so that songs off of The Soft Parade bump up Û
Û against tracks from L.A. Woman. The hits can stand on their own, but Û
Û overall the music lacks the broader impact that it was intended to have Û
Û when heard juxtaposed with the other tracks on their respective original Û
Û albums. The 1996 Greatest Hits CD, with its remastered sound, and the Û
Û remastering of their individual albums that began in the year 2000, also Û
Û renders this collection somewhat less attractive than it was on its Û
Û initial release. Û
ÛÔùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùù¾Û
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Ûß Greets to FIH Recycled and other groups bringing top notch releases! ßÛ
Ûß Always looking for more affils. Hit us up you know where, or if you haveßÛ
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